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You know why Japan is better than you? Because they make movies like this. Movies that are so ballsy and give a true fuck you to the rules of traditional film writing and filmmaking.
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The story deals with a young man who also murders people without any motivation. Men or women, and sometimes dressed as a woman, he just doesn’t care. He eviscerates his victims and makes shish kabob out of them, then ejaculates onto them. Meanwhile, our ‘hero’ is in love with a beautiful phone sex operator that reveals herself and enters his life, a girl who happens to have angel-like scars on her back. Meanwhile, we get to take on the pleasure of seeing another woman, and future victim of our lead, get herself kidnapped by a gang of criminals and forced to take part in a weird porno-snuff film where she is repeatedly raped, forced to gag on a blowjob, then receive an impromptu enema, all in explicit glory. Or, at least as explicit as Japanese films go.
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This film is explicit as hell of course, and batshit nuts on the disgusting level. There is a lot of gore, a lot of sex, and yes, a lot of shit and semen. However, there are a lot of elements that make it come out of your typical exploitation film, such as the mixings of different genres. We get a teenage romance element at the center of it’s story (even if it is between an angel and a killer), we have subplots like the one mentioned above with the camera snuff crew, an element of crime, prostitution, and even touches of surrealism (such as the bird toy turning into a real bird if the mood depends on it). Not to mention the narrative is all over the place.
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The ending is quite strange. Some people might consider it offensive that a vicious rapist/murderer gets to have a happily ever after with an angel who comes visit him and take him to heaven, but if you are offended, you have to remember that this is a Japanese exploitation film, and all rules are off. The man who directed this film also directed that piece of shit we can’t help but love, Stacy: Attack of the Schoolgirl Killer, but I happen to like this movie a whole lot more, and at sixty minutes, you can’t go wrong.
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